Initially, I utilized a gas fired raku kiln but found that I could obtain more color using wood as fuel and increasing the intake of oxygen into the firing chamber. This generates the appearance, ore ancient or timeless, that I hope to realize in my pots.

Most pieces are basic vessel forms, some with bas-relief carving, some with wax resist sections. Varying surfaces, contrasts in the glazed and unglazed areas, accomplished by post-firing reduction or oxidation, inspire closer examination. Viewers are encouraged to pick pieces up, to explore all sides and to feel the unique textures. In addition to vessels, i create tiles and mirror frames, incised with insect images, and fire them in the same manner.

Each year I attend workshops with well-known ceramic artists who specialize in raku firing, gaining more intense exposure to the technique and absorbing tips and trade secrets. Despite every piece being bisque fired in an electric kiln, the raku firing with wood, brings me a little closer to where the whole process of creating with clay began.

*NOTE: Cracks, crazes, and uneven textures are desirable characteristics of Raku pottery. Raku vessels, however, are not waterproof and are not foodsafe. For use as vases or with wine coolers, plastic liners are recommended.